Canva adds over 1,000 font styles: why multilingual brands should pay attention
More fonts are not just a bigger catalog: they can help brands preserve their visual personality across writing systems.
Section
Category: Design
Identity, packaging, typography, mascots and visual brand systems.
Formula E refreshes its identity for the GEN4 era: designing speed for track, phone and broadcast
The rebranding must work simultaneously at 200 mph, in vertical video and in partner materials. We are considering whether this new logo is enough.
Guinness turns its harp into the letter V: how LoVely refreshes a near-century-old ad platform
The case shows how a brand can find a new visual tool within existing assets—without yet another redesign for the sake of novelty.
One Palace Green gets a “collectible” identity: archival marks become a property brand
Three custom-made signs, historic typography and watercolors transform the building's origins into a brand system.
RSA turns 272 years of history into a new identity: how the archive became a design system
Instead of decorative nostalgia, the team made heritage operational: eras collide, portraits split, architecture shapes the mark, and institutional blue meets signal red.
AJ Bell launches a bell-led identity built for apps, advertising and races
The investment platform keeps its name but rebuilds its logo, type and colour around a recognisable symbol. We examine the phased rollout and media fit.
Manchester City Women gets its own identity: how It Takes a City builds a distinct women’s brand
The club retained the crest and sky blue color, but added the MCW monogram, a bright color palette and a separate communication system. We analyze the balance between the strength of the parent brand and the independence of the women's team.
Case: Adobe named the main trends in logo design for 2026
Adobe surveyed 285 professional designers about what an effective logo should look like in 2026. Among the directions repeated in the answers are ultra-minimalism, adaptive and dynamic signs, and more conscious…
Ukrainian designer Anna Maslik releases the “Tsybulka” typeface in exchange for donations
Designer Anna Maslik created the "Onion" typeface, based on plastic and ornamental elements of Petrykiv painting. The typeface is available for a donation to active fundraisers — so designer...
Cultural memory and knowledge: the Liberovs and Ruslan Igorovych wore embroidered shirts with motifs of the Sumy tapestry
The SVARGA brand and the Boryviter military school dedicated the collection to preserving knowledge during the war. The embroidered motifs reinterpret the "Tree of Knowledge" tapestry, which was created in 1988 by Leonid, a native of Sumy...
How to explore the impact of AI on design: the Figma experience
Figma's research team has been tracking how AI is changing the daily work of designers and product teams for several years. An important detail of the approach: technology is used not only as an object, but also as an auxiliary...
Antistress slime became the mascot of “Aurora”
The new mascot of "Aurora" is RORI - a yellow character in the shape of the letter "A". The image grew out of observing shoppers' reactions to discounts and exclaiming "wow"; in communication, the team also calls the hero WOW-bro.